Oasis - Wonderwall

The video for the song 'Wonderwall' by Oasis has reached over 30 million hits on YouTube, the song was released on 30th October 1995 and is probably the bands most famous song.

The start of the video shows an empty, almost derelict room with a record player situated in the centre of the shot. The Long shot used allows the audience to see the setting and possible trend the video will connote. The shot also shows a clown walking from right to left towards the record player, the diegetic sound of his footsteps shows a slow pace which is used to build the pace of the song up gradually. The clown then goes on to turn the record player on and an LP with 'Oasis' begins spinning, the close up used to show the LP is effective as it boldly promotes the band as the name of it takes up the whole shot which makes it easy to see the video is for an Oasis song. The desaturated effect may have been used to evoke a retro style is popular for the typical Alt Rock genre. It could also have been used to make the video more simplistic as the video is supposed to be about an "imaginary friend who's gonna come and save you from yourself", this quote from Noel Gallagher could show the video is trying to show someones imagination, if so the black and white effect works well as it's often used for a nostalgic theme or shots involved with people's memory.



The next stage of the video begins with the song starting, and the next scene is of Noel Gallagher playing an acoustic guitar. This is broke up into many shots which chronologically get closer to Noel with cuts to each shot as the song continues, it starts with a long shot which shows him isolated in the same room the clown was in before hand. This could continue the idea of an imaginary friend as when Noel is on screen the clown isn't, this could show he is within Noel's mind. The way in which each cut gets closer to Noel is effective as it could portray a sense of closeness between Noel and the audience, or the series of close ups could build a sense of voyeurism, which according to Andrew Goodwins's theory is a typical convention of music videos as the close up promotes the artist. The notion of looking is effective as it illustrates people watching the band which emphasizes its popularity within the Alt Rock genre.















The video also uses a range of narrative and performance shots, this is an ideal way of shooting a music video as it allows the audience to see the band playing the instruments and singing which actually makes the song, as well as a story which can be illustrated by the lyrics. The story in this video is about the clown being an imaginary friend to Noel Gallagher, and the clown is there to save Noel from himself. This idea was shown on Wikipedia (click for link) which Noel told to NME in 1996 about it being based on imaginary friends helping people overcome certain problems they face in life. Below is a short video which shows some of the performance and narrative shots within the music video.



The narrative shots above create the theme of the video, which is everyone needs an imaginary friend or place to go when they need saving from the pressures they face in reality. The shots of the clown reference the idea of the video and as they appear it may evoke a sense of imagination by Noel. The person juggling could create an idea that Noel's favourite imaginary place is to do with a circus, as a clown and juggling is often associated with a circus, these shots illustrate a subtle theme of imagination and possible nostalgia for Noel as the circus could play an important part of his life.

These shots are part of a continuous clip from the video, it shows Liam Gallagher singing part of the song with the rest of Oasis being faded in and out. This could show how Liam is the lead singer but it could also portray a sense of more importance, as he is in the shot through-out where the other band members are only in them for a few seconds each. The use of fades is seen many times within this video as it evokes a sense of imagination, the shots shown with the fades may have been used to add to the sense of nostalgia or imagination and to show the main singer in the band which is Liam Gallagher.

Eminem - Stan

The video for the song "Stan" by Eminem featuring Dido shows how a fan of Eminem loses control after months of trying to contact the rapper and his actions affect many more than just himself. The video is also a fairly long narrative at 8 minutes 10 seconds long.

The start shows a short clip for around a minute which shows a slow moving shot possibly from a crane, it moves from outside the house through the window and into a bedroom. This notion of looking is known as voyeurism, as the audience are watching the couple without them knowing. The use of heavy rain and thunder may show pathetic fallacy as the storm represents the couples relationship, as Stan is always angry and his partner; who is pregnant looks isolated.
The partner then gets out of bed to go to the toilet, and a cross cut is used to show her walking down the hall and Stan dying his hair the same colour as Eminem in the bathroom. There are many close ups of Stan once he has dyed his hair, this shows his facial expression which is more of a deranged look. Whilst the close up shows Stan in focus the viewer can still see the partner in the background with a worried facial expression, this allows the audience to feel worried for her as they don't know what will follow. The on-going use of voyeurism lets the audience see how other people see Stan, as she shows worry and panic after watching him dying his hair to look the same as Eminem.


The next part of the video shows many transitions such as fades, this shows how time has gone by and may also show how Stan writes to Eminem frequently as a fade can represent a change in time. The first chorus sung by Dido shows a slow movement down into the house basement, where Stan is writing to Eminem again, this shows the distance in the house and their relationship. The use of a slow pan around the room allows the audience to see the level of insanity as the room is covered in photos and posters of Eminem which makes his obsession apparent. When Stan is writing to Eminem a cross cut that fades from Stan to Eminem reading the letter makes it apparent that after writing many letters to Eminem one has finally reached him. Stan then goes on to say "my girlfriends pregnant now, i'm about to be a father", the video responds to this by showing the mother of his child sitting alone and looking up, this shows the audience that Stan cares more about being a father because Eminem is and not that his girlfriend is carrying his child. A shot showing Stan looking into a mirror and seeing Eminem adds to the idea of him wanting to be Eminem, as he no longer sees himself which evokes the sense of obsession further. This shot adds to the use of voyeurism as the sense of looking is from the mirror as Stan is looking at himself but seeing Eminem in the reflection.

The video then goes onto show Stan being in the same place as Eminem, which shows him at a concert at the front row and a Point Of View shot shows how Stan is watching him; this is more use of voyeurism. The video then shows how Eminem was taken away from the fans by security but Stan sees it as Eminem ignoring him, a fade then shows Stan's facial expression back in the basement. The fade back into the basement shows the cause of anger was Stan not being able to meet Eminem as he couldn't stay outside the concert. When the audience see that security takes Eminem away they can see how he is not ignoring Stan purposely, and that Stan thinks its a personal act towards him, therefore emphasizing his addiction to Eminem. The lyrics then match the video as it says "I even got a tattoo with the name across the chest", the video then shows him being tattooed which also emphasizes his addiction as a tattoo is permanently on the skin and therefore Stan's addiction to Eminem is also permanent. This therefore corresponds to Andrew Goodwin's theory as he believed lyrics need to either correspond or contradict the video, in this case the shot corresponds to the lyrics of the song.

Stan's partner is then found in the basement looking at all of the Eminem fixations created by Stan. A mid-shot of her in shock at seeing a photo with her covered by Eminem allows the audience to see Stan watching behind her, which shows she is not safe. The video then shows Stan driving in the storm talking into a tape recorder intended for Eminem, the cuts begin to get quicker and shot length also decreases which shows more anger and tension. A shot which shows Stan looking in the car mirror shows voyeurism and emphasizes his anger and insanity, as a picture of Eminem is hanging from the mirror also. The lyrics of this section are mostly censored but it's about Stan tying his girlfriend up and putting her in the boot of the car which shows he has lost all sanity and may result in killing himself along with his girlfriend and child all because he hasn't been contacted by Eminem. As the cuts get quicker the video shows more panic as Stan is losing control of the car and it results in him driving off a bridge. The use of over-cranking when the car hits the water adds drama as the long take symbolizes the death of Stan.

Once the car is submerged the video goes on to show Eminem's reply to Stan, which is unknowingly too late. It recalls his version of events which shows slightly blurred shots which may resemble a struggle of his ability to remember where he has been when Stan was there. The lyrics from Eminem "I hope it reaches you in time, before you hurt yourself" corresponds to the video as it shows emergency services pulling Stan's car out of the lake which shows the tragedy of Eminem reading the letter too late. The mise-en-scene used in this part of the video adds to the tragedy as the flashing lights and yellow uniforms of the firefighters resemble people

being injured and in this case dead. The dark night and heavy rain continues to add to the pathetic fallacy through-out the video, as the horrific weather matches the situation. The close of the video shows a news report of what happened to Stan and as Eminem raps about what he heard it becomes apparent he knows the tape found in the car was to him and Stan has killed himself. The final shot is a medium shot showing Stan's little brother mourning at his gravestone, this shot shows the audience he has dyed his hair the same colour as Stan and may mean he will go onto do the same as Stan. Once again the heavy rain and storm above creates a dark and negative atmosphere which holds in the viewers mind as the last thing they remember is the young boy at his brothers grave. This may show how the brother looked up to Stan the same way he did to Eminem, as the younger brother is trying to base his appearance on his brother.

Andrew Goodwin - Dancing In The Distraction Factory Concept

The use of many close ups of the artist is a demand from the record companies 'Aftermath' and 'Interscope', this is because they want to promote Eminem as much as possible so sales increase. These shots below portray a number of close ups featured within the video, it uses the notion of looking further as the top two close ups show voyeurism, with eminem looking into the crowd after a concert and Stan looking in a bathroom mirror.